Contact:

Your Tune Music Library

Registered address: 23, Dene Street Gardens, Dorking, Surrey, RH4 2DN, U.K. (Tel: 0794 126 7355)

www.AlpineStudios.ch in Switzerland: Chalet Mirador, 1885 Chesieres-Villars, Switzerland (Tel: 0041 795 869 173).

Your Tune Music Library is distributed in the UK by Your Tune Music Ltd.

We also have representation in the following territories:

Opus 1 (U.S.A)

Nichion (Japan)

Beatbox (Australia and Singapore)

Music Contact (Spain and Portugal)

DME Music (Germany and Austria)

French Trade (France and SACEM territories, inc Luxemberg)

Apollo Music (Denmark, Norway, Sweden, Finland, Iceland, Poland, Estonia, Latvia and Lithuania)

Empire Multimedia (The Philippines, Malaysia, Indonesia, Thailand, Hong Kong, Taiwan, China and S.Korea)

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Mastering and Post-Production:

In charge of mastering and post-production:

Gordon Young

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Artwork:

The following artists have contributed their artwork to the promotion of Your Tune Music and we are exceptionally grateful:

Chris Dolling

Rodd Halstead

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Database:

The Your Tune database was creatively designed by:

Shirley May

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Credits:

Films - 'Race With Destiny' - U.S.A.

TV and Radio (UK) - 'The Holiday Program' (BBC) / HollyOaks (C4) / BBC National Radio / EastEnders / Crossroads.

International T.V.- Japan, Canada, Switzerland, Singapore, Australia, Italy , France, Germany, U.S.A., S. Africa, Asia

Multimedia - Powerbag Fitness DVD / DoorGym website / www.e-excentric.com

Commercial songs - 'Please Stay' for Shirley Slaymaker (BNP Records).

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Copyright:

All rights of the owners of the sound recordings, musical works and performers reserved. Unauthorised public performance, broadcast, cable transmission, copying and distribution prohibited. The material contained on this site is specificially produced for film, television, radio, advertising and multi-media projects under an agreement between the Production Music Library and The Musicians' Union. There use is subject at all times to: (a) Having authority to use them from Your Tune, it's associated companies or worldwide appointed agents, and (b) to the terms and conditions of any such authority and (c) to obtain there from an appropriate licence prior to any exploitation or use of the relevant production or recording. Furthermore, public performance, broadcast and cable transmission of the production or recording may only be with the additional licence of the Performing Rights Society and appointed worldwide agents. Copyrights may be used for commercial purposes if the appropriate licences are obtained.